Showing posts with label Long Island decorative painting. Show all posts
Showing posts with label Long Island decorative painting. Show all posts

Friday, July 27, 2012

Evolution of a Powder Room: Removing Yet Another 70s Era Wallpaper

When I married my husband, I moved into a house with a lot of 70s type wallpaper.  For a decorative artist like myself - that's like being in purgatory (or worse!!!).  Now, I love wallpaper...well-done, handpainted or beautifully textured or patterned wallpaper.  But - the living room, the powder room, the kitchen, the dining room - the upstairs baths and all the bedrooms had 70s era wallpaper....and I just couldn't live with it. So, slowly but surely, I began to remove all of it. I will feature more of the before and afters in coming months.  I only have one last wall of wallpaper to remove - a camouflage paper (spare me) in what will become a nursery for my new grandchildren,

Can you tell that I like monkeys and pineapples??

Here's a picture of our powder room right after I did the last transformation...first removing all the wallpaper, then oil priming, painting and doing an embossed stencil and tissue finish.  I say "last" transformation because the finish was the same - only the room was, at first, painted an antiqued gunmetal silver - which I really loved.  But as I was re-doing my home, the colors of adjacent rooms were getting warmer and warmer - so the silver just didn't go with the palette I was coming up with.  I chose a softer and warmer metallic color - called Veridine (from Faux Effects). Then I gave it an antique bronze glaze. I covered the switchplates also - to give it a more uniform look.


A view of the vanity and counter - which were chipping and peeling orange/yellow oak

My inspiration photo done by Melanie Royals of Royal Design Studio

 
Here is the first color of the powder room finish - a gun metal silver

The vanity and countertop were really horrendous and way past their prime - but my husband didn't want to buy anything new because the vanity hid all the pipes underneath (which also include some pipes for the washing machine in an adjacent room - don't ask!). This powder room has 7 sides - it's really an oddity and I could have gutted the whole thing and started over - but that would have been too much $$ for my husband to handle.  So, I made do!  I sanded and primed...painted and glazed...and clearcoated the vanity and countertop and it's held up beautifully over the years.

I don't have a before picture of the powder room - but I do have a snippet of the wallpaper.  Was it horrible?...not really.  But it was dated and it did't really say anything about me and the spirit I wanted my home to portray.  This room and the wallpaper were someone else's idea of beauty - not mine.  So, I had to change it.


It was perfectly nice - but it didn't say "me." And coupled with the peeling, orange yellow vanity and countertop - it had to go!

About the Wall Finish:  The one thing that is difficult about doing this finish is the amount of time and patience it takes to do it.  It's not an overnight sensation...and trust me - I needed a shrink during and after the process.  When you are doing an embossed, raised stencil on a wall - you first have to stencil most of it on the wall first in a light tone.  Why?  Because when you do anything raised/embossed on a large surface - you can't easily go from design to design in a row...because the plaster or whatever you are using to make the design raised - is still wet.  So, you have to jump to another section that's dry in order to do your next raised/embossed area.  So, in this design that I decided on for this room, I first had to make the design "stripes" level and equidistant - I had to stencil just about everything in a tint on the wall before I could trowel any material through the stencil to make the raised design. I hope I didn't lose anyone here yet!! You also have to do this to make sure your vertical design is level and not "off."  So - it's a process...that takes a lot of time. 

Whenever I price this for a client, they always look at me a little crazy because they see the finished product and think "Oh - that's beautiful...I want it."  But when I explain how much time and precision it takes to pull it off...they back off.  Only interior designers so far have said "No problem - I love it.  Let's do it!"


A closer look: You'll see the slight wrinkled texture on the wall.  You don't "have" to do this...but I laid gently wrinkled gift tissue over the entire wall as I was painting the color on the wall.  One of the reasons I did this was because my surface was not 100% perfect - it showed some leftover wallpaper lining and I just wanted to give the wall a little extra texture.  If your walls are perfect - you do not have to do this step and I wish that I could have skipped it!!




A closer look at the wall finish - see the slight wrinkled texture?

One very important note about doing an embossed stencil design with a tissue finish:  Once your tissue is on, you have to make sure that the tissue lies flat next to the raised part of the design.  I had to flatten out the tissue many times and I also had to pin prick some of the bubbles that this finish naturally creates.  Did I get every single one perfect?  No - but overall it looks good and you can see every part of the design.  Next time I do this, I won't choose such a small stencil design - you can see it above to the left of the larger design.  That was a nightmare to get all the tissue to lay down around the design.  So - don't do this!  Choose larger designs to emboss - much easier!

And another tip - if you have to go through some curved surfaces like I did...pick a simpler design!!

For the vanity and countertop:  I first sanded any chipped spots, then oil base primed it and then painted the base in Off White from Faux Effects.  To antique it, I used a brown and gold glaze. The countertop - I sanded it (A-LOT!!!) and then I oil base primed it in a tinted dark brown primer - and then I did several coats of Modern Masters' Statuary Bronze.  I then did several coats of Faux Effects Satin topcoat called Varnish Plus.  I cannot tell you how much I love this product.  I used it on this countertop and while I was re-doing my kitchen, this powder room became my "slop sink" when I was doing any other type of painting or cleaning or washing dishes.  The countertop stayed clean and beautiful after a TON of punishment!!!  Enough said - go buy it!!!!


For the interior section of the vanity, I painted it the Veridine color and then stenciled Royal Design Studio's Small Victorian Grille.  Modern Master's Statuary Bronze surrounds it - but I sanded it back to age it.  I kept the same knobs - only I painted them in the Statuary Bronze.  I plan on changing them soon.  Anyone have any suggestions?  In my kitchen I have the French Birdcage ones in oil rubbed bronze and I love then - so that's a possibility.  But I would love some other ideas.

Future Changes: I am also going to do some other changes to the room.  I'd love to put something different in that center panel in the vanity.  A handpainted monkey or pineapple?  Or is that overkill? I also want to perhaps get a new stone or granite top for the vanity...plus a new sink, faucet and light fixture.  I would also love to do a raised design on the panel right below the countertop - I think it's calling out for something!  And finally, I'd love to do something special to the ceiling.  Right now it's a mid tone sage green, which is nice - but it needs some pizzaz! I'd like to add some moldings as well on the top but with 7 sides...it's a challenge.  I had though of spray painting a thick rope in bronze and then attaching it.

Would love to hear from all of you on what you'd like me to do with the room...and then I'll post the changes.

Thanks for coming by to see this project! For another project I did with raised stenciling, Click Here.

Sharing this with...



Friday, April 20, 2012

Gold Leafing and Antiquing a Fireplace Mantle

When I finally convinced my husband that we needed a kitchen renovation, I figured that if I got him that far...let me see if I can also get another room added on - a great room, off the kitchen.  Amazingly he said "yes!"  This was a few years ago - and I have been working on this great room since then.  It's been a work in progress.

Since my laptop is in the repair shop (my hard drive was damaged...so I won't have access to a lot of my pictures til next week or so), I'd like to share the pictures I do have to show you the work I did on the room.


First Incarnation...

I was happy to finally have a fireplace and mantle in my home - yippee, something else to decorate! (And that tree was supposed to be on our deck then - sorry about that one). But having the mantle so stark white really wasn't doing it for me.  I had done a nice sueded plaster on the walls in a cinnamon hue - very Ralph Lauren-ish kind of look and feel (without it being Ralph Lauren material!)...and I loved the warmth of it. 

So - what's a girl to do to make it all come together?  Add some decorative onlays, gold leaf them and then antique the entire mantle.

 Mantle...After


The gold leafing (or gilding) of the onlay gave the mantle more distinction and character, I think.  And the antiquing gave the onlay a nice patina - and now the tone of the painted wood blends so much better with the finish on the wall. Before the white just shouted at me - I am so much happier with this look.

Closeup of gilded and antiqued onlay

GILDING TIP: I first painted the onlay with a yellow gold paint - this will help you out later...because not every piece of leaf will stick! I used Gold Leaf sheets from Michael's - nothing fancy. But after you put on the size (the glue that makes the leaf stick to what you are gilding) - let it come to a tack. Don't put the gold leaf on when the size is still wet. Never place your finger on the size to check if it's ready - use your index finger knuckle to check it. Once it's ready, place the sheets on your object and tamp them down softly with a soft artist's brush. Once everything is on your onlay (or whatever you are gilding), take some cheesecloth and start to take away the gold leafing that didn't stick.  You can use an artist's brush to get into any crevices etc.

Once that's done, use your cheesecloth to burnish the gold leaf - you'll begin to see that it starts to get shinier.  Now - the leaf sold at Michael's and elsewhere is not real gold leaf...so the leaf will look a bit too brassy.  But after you antique it (as I did - with the rest of the mantle), it will lessen the shininess.  In addition, I took an artist's brush and took some dark brown tint and brushed it on to age and darken it.  You can also use a dark wax (Annie Sloan's or Liberon etc) to do this as well - and that will protect and seal your work!

So - hope you enjoyed this.  If you'd like to see a few more pics of this up close...click the links below to my website. 

Happy painting!!!


Closeup of the Mantle Finish 

Closeup of the Gilded Onlay 

Wednesday, January 11, 2012

Using Art as a Starting Point for Choosing a Color Palette for Your Rooms

I love to use artwork to inform a color scheme in rooms that I am working on. Artists use and combine colors in such unique and beautiful ways...so it's virtually foolproof letting a great piece of art be your guide to a beautiful color plan. 

Artist, Kathe Frage Via

This beautiful piece, available on canvas or paper, is very modestly priced and it can be the inspiration for a sweet room.  You could frame it in a faded gold - or a cream frame. I then might do a wainscoting and trim in Benjamin Moore's White Opulence (Classic Colors, 879) because it's a warm white that has a little touch of pink in it. Then for the wall color above it, I would think about Benjamin Moore's Love and Happiness (1191).  For a little extra texture, I might do a vertical stried finish on the wall with a creamy pink glaze. For the ceiling - I'd mix the two colors together to get a barely there pale pink - just for a blush color overhead.

Benjamin Moore's Love and Happiness (1191)

For a little girl's bedroom, I'd add a colorful floral, like Quadrille's Henriot Floral as an upholstered headboard. I'm partial to the name "Henriot" because it's the name most closely associated with Quimper pottery (which is such a favorite of mine).  

Quadrille's Henriot Floral in Pinks on Ecru

I'd add a cream or ecru duvet cover (that would match the background of the headboard).  I add a red and cream polka dot for the dust ruffle and for a pillow or two. Duralee offers this fabric - but I'm sure that this would be fairly easy to source less expensively.

Red and cream polka dots for the dust ruffle and a pillow or two.

Some extra pillows for the bed could be...


Robert Allen's Flower Prints in Poppy



A pink velevet - Kravet's Versailles


Robert Allen's Zinging Along in Poppy

I might do the Versailles pink velvet, edged with the Quadrille Henriot fabric as a throw at the bottom of the bed.

Window treatments: I could also see the red polka dot fabric as a Roman shade - with the Quadrille Henriot fabric as the draperies.

Carpet:  I would love to see something that's easy care - maybe a slight shag in a pink or slightly darker to help ground it.

Additional art could be something like these decals from Surface Inspired on Etsy. You can order them in just about any color.




Just Another Idea for a Little Girl's Room:  I would do a vertical stripe with the Love and Happiness color and White Opulence by Benjamin Moore.  We did a pink and cream stripe in a little girl's room that came out so beautiful. My client and I (and her mom) went to the Kips Bay Showhouse in New York City several years ago - and my client went nuts over this room designed by Bograd Kids.  She wanted something similar for her little girl in their new home that they were renovating.


Inspiration Room


She so loved the Showhouse space that as soon as the room was ready, we were in there painting...stripes! A lot of them - it was a very big room!




We also revamped all of the furniture in the room (that was in the family for over 60 years) by painting it a soft cream and antiquing it. 

If you would love to have a Showhouse-inspired room in your home, give me a call at 631 793-1315


Related Posts Plugin for WordPress, Blogger...